Artist Jonathan Lynch opens his solo show of acquired photographs exploring the complexities of human relationships.
Dozens of black and white family snaps were used to create a hanging mobile of human representations, entitled “Absence”. Human figures were removed with a scalpel to create haunting shapes and patterns. It is part of his “Legacy” exhibition at The Corn Exchange Gallery, Leith.
Commissioned by The Scotsman Publications and published in today’s Edinburgh Evening News, page 9.
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